Posts Tagged ‘Ringo Starr’

Song of the Day by Eric Berman – The Jukebox Series #64–The Beatles: “Slow Down” b/w “Matchbox” – Capitol 5255 (G7/H7)

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Song of the Day by Eric Berman – The Jukebox Series #64–The Beatles: “Slow Down” b/w “Matchbox” – Capitol 5255 (G7/H7)

The Beatles not only had three of the greatest songwriters of all time in their band, but early on they were also great tastemakers, choosing unknown American R&B, Country, Blues and Rock ‘n’ Roll tunes and repurposing them for the UK market. As a result of their world domination of the music charts, they pretty much reintroduced songs like “Please Mr. Postman,” “Rock And Roll Music,” “Anna,” “Act Naturally,” “Baby It’s You,” “You Really Got A Hold On Me,” “Money (That’s What I Want),” “Honey Don’t,” “Long Tall Sally,” “A Taste Of Honey,” “Roll Over Beethoven,” “Devil In Her Heart” and even a Broadway tune “Till There Was You” to the American market.

Today’s jukebox classic features two such cover records, although I have taken some liberties and flipped the single in the juke to make the B-side of the single, the A-side instead. Both of today’s songs originally appeared on the British Long Tall Sally EP released in 1964.

“Slow Down” is a cover of a Larry Williams tune from 1958. The Beatles probably first heard it as the flip side of Williams’ single “Dizzy Miss Lizzy” which they also covered. The Beatles would also return to Larry Williams’ cannon of material for a third time to record his song “Bad Boy.” Williams was a New Orleans R&B recording artist who was far more influential across the pond than here in the U.S., which is probably why The Beatles covered three of his songs.

The song has also seen covers by The Young Rascals, The Flamin’ Groovies, The Jam, Led Zeppelin, Golden Earring, Tom Jones, Elvis Costello and many others. Today, The Beatles’ recording can be found on the compilation album Past Masters Vol. 1 and also on the first Live at the BBC album.

The other side of today’s single is one of three Carl Perkins songs that the Beatles recorded. (“Honey Don’t” and “Everybody’s Tryin’ To Be My Baby” were the other two.) The song was first recorded by Blind Lemon Jefferson in 1927, but The Beatles based their version of “Matchbox” on Carl Perkins’ 1956 single version released on the Sun record label.

The Beatles began performing the song as early as 1961 with Pete Best handling the vocal chores. The group continued to perform the song and live versions have turned up from The Star Club in Hamburg, Germany featuring Lennon on vocals. By the time the group got around to performing the song for BBC radio (as heard on the Live at the BBC album), Ringo was featured on vocals. The song later turned up on The Beatles’ Long Tall Sally EP in England, and on the Something New album in America also with Ringo on the vocals.

The Beatles’ recording of “Matchbox” was issued as the A-side of today’s single in a nice picture sleeve and climbed to number 17 on the pop charts. Today, it also can be found on The Beatles’ Past Masters Volume 1 album. For the studio recording, the group was augmented by George Martin who played piano on the track.

The song has also been covered by Jerry Lee Lewis, Ronnie Hawkins, Johnny Rivers, Bob Dylan (unreleased), Derek and the Dominos, Willie Nelson, Johnny Cash, Jeff Beck & The Big Town Playboys, Duane Eddy and “The Silver Wilburys” (featuring George Harrison, Bob Dylan, John Fogerty, Taj Mahal & Jesse Ed Davis).

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over 14 years and in that time I’d like to think that I’ve perfected the mix of 45s within.

Edited: August 11th, 2015

Song of the Day by Eric Berman – The Jukebox Series #16 – The Beatles: “Paperback Writer” b/w “Rain” – Capitol 45 RPM Single 5651 (K2/L2)

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Song of the Day by Eric Berman – The Jukebox Series #16 – The Beatles: “Paperback Writer” b/w “Rain” – Capitol 45 RPM Single 5651 (K2/L2)

We’ve hit ground zero for classic singles! It really doesn’t get any better than the coupling of “Paperback Writer” and “Rain” on a single slab of 45RPM vinyl. And, the single wasn’t even intended to be a double A-side, it just worked out that way on the strength of the material.

Both songs were cut during the sessions for Revolver in which The Beatles began to spread their creative wings and experiment in the studio. “Paperback Writer” was recorded with a boosted bass sound because Lennon wanted to emulate the bass sound on a Wilson Pickett record he liked. It was also cut much louder than other singles of its time to make its searing guitar riff stand out on the radio, and as a result, the song topped the charts in 1966.

The lyrics were in response to a comment that McCartney’s Aunt Lil made to him challenging him to write a song that wasn’t about love. Paul: “Years ago my Auntie Lil said to me, ‘Why can’t you ever write about a horse or the summit conference or something interesting?’ So I thought, All right, Auntie Lil. I’ll show you.” (songfacts.com)

The song is written in the form of a letter from an author to his publisher talking about a book he’s written based on “a man named Lear.” Lear was Edward Lear, a Victorian painter who wrote poems and prose whom John Lennon admired. Paperback books were seen to be a cut-rate second cousin to hardcover books which were looked upon as works of art, so the writer in the song is only striving to be a paperback writer. During the song, Lennon and Harrison interpolate the French nursery rhyme, “Frere Jaques” as a counter melody.

The “meat and dolls” photo that graced first pressings of the Yesterday And Today album was originally taken to promote this single in the trades, and a promotional film directed by Michael Lindsay-Hogg was created showing the Fabs traipsing around an English garden.

On the flip, is “Rain,” one of The Beatles’ all-time greatest tracks exemplifying the amount of experimentation the group were putting into their recordings of the time. “Rain’s” backing track was recorded faster than normal and played back at a slightly slower speed giving the record a psychedelic off-kilter feel. Conversely, Lennon’s vocals were recorded at a slightly slower speed and sped up during playback making his vocals sound slightly higher than normal.

The song also features one of the first uses of backwards vocals on a rock record. Lennon: “After we’d done the session on that particular song—it ended at about four or five in the morning—I went home with a tape to see what else you could do with it. And I was sort of very tired, you know, not knowing what I was doing, and I just happened to put it on my own tape recorder and it came out backwards. And I liked it better. So that’s how it happened.” (songfacts.com)

The backwards vocal at the end fade out is actually the songs first line: “When the rain comes they run and hide their heads.” Beatles engineer, Geoff Emerick said “From that point on, almost every overdub we did on Revolver had to be tried backwards as well as forwards.” (songfacts.com)

The song reached number 23 on the charts as a B-side, and Ringo Starr considers his drumming on the track to be his best recorded performance. The single’s picture sleeve inadvertently depicted Lennon and Harrison playing left handed because Capitol’s art department mistakenly reversed their photos.

Three videos were created to promote “Rain,” directed again by Michael Lindsay-Hogg. (Lindsay-Hogg first worked with the group on the set of Ready Steady Go several years earlier.) One was filmed at Chiswick House in London and shows The Beatles walking and singing in a garden, while the other two feature the band performing on a soundstage.

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over 14 years and in that time I’d like to think that I’ve perfected the mix of 45s within.

Edited: April 15th, 2015

Song Of The Day by Eric Berman – “Long, Long, Long” by The Beatles

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Song Of The Day by Eric Berman – “Long, Long, Long” by The Beatles

One of George Harrison’s most underrated songs and a highlight of The White Album for sure. The song was actually recorded by “The Threetles” since John Lennon was not present for any of the sessions.

Lennon’s absence kind of illustrates the short shrift that Harrison’s songs were given during Beatle recording sessions, considering that songs like “Something,” “Not Guilty” and “Sour Milk Sea” were left off The White Album and “All Things Must Pass” “Isn’t It A Pity” and “Let It Down” were left off of Let It Be in favor of much weaker material like “Dig It,” “Maggie Mae” and “Good Night.”

The rattling heard during the psychedelic meltdown at the end of the track was from a bottle of wine that was left on top of a speaker during the recording. Happy “mistakes” like this were often left in making the recording more interesting and more psychedelic. “Long, Long, Long” is one in a long line of Harrison love songs that can be directed at either his wife or the Lord.

Edited: June 12th, 2014

Song Of The Day by Eric Berman – The Jukebox Series #64–The Beatles: “Slow Down” b/w “Matchbox” – Capitol 5255 (G7/H7)

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Song Of The Day by Eric Berman – The Jukebox Series #64–The Beatles: “Slow Down” b/w “Matchbox” – Capitol 5255 (G7/H7)

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.

The Beatles not only had three of the greatest songwriters of all time in their band, but early on they were also great tastemakers, choosing unknown American R&B, Country, Blues and Rock ‘n’ Roll tunes and repurposing them for the UK market. As a result of their world domination of the music charts, they pretty much reintroduced songs like “Please Mr. Postman,” “Rock And Roll Music,” “Anna,” “Act Naturally,” “Baby It’s You,” “You Really Got A Hold On Me,” “Money (That’s What I Want),” “Honey Don’t,” “Long Tall Sally,” “A Taste Of Honey,” “Roll Over Beethoven,” “Devil In Her Heart” and even a Broadway tune “Till There Was You” to the American market.

Today’s jukebox classic features two such cover records, although I have taken some liberties and flipped the single in the juke to make the B-side of the single, the A-side instead. Both of today’s songs originally appeared on the British Long Tall Sally EP released in 1964.

“Slow Down” is a cover of a Larry Williams tune from 1958. The Beatles probably first heard it as the flip side of Williams’ single “Dizzy Miss Lizzy” which they also covered. The Beatles would also return to Larry Williams’ cannon of material for a third time to record his song “Bad Boy.” Williams was a New Orleans R&B recording artist who was far more influential across the pond than here in the U.S., which is probably why The Beatles covered three of his songs.

The song has also seen covers by The Young Rascals, The Flamin’ Groovies, The Jam, Led Zeppelin, Golden Earring, Tom Jones, Elvis Costello and many others. Today, The Beatles’ recording can be found on the compilation album Past Masters Vol. 1 and also on the first Live At The BBC album.

The other side of today’s single is one of three Carl Perkins songs that the Beatles recorded. (“Honey Don’t” and “Everybody’s Tryin’ To Be My Baby” were the other two.) The song was first recorded by Blind Lemon Jefferson in 1927, but The Beatles based their version of “Matchbox” on Carl Perkins’ 1956 single version released on the Sun record label.

The Beatles began performing the song as early as 1961 with Pete Best handling the vocal chores. The group continued to perform the song and live versions have turned up from The Star Club in Hamburg, Germany featuring Lennon on vocals. By the time the group got around to performing the song for BBC radio (as heard on the Live At The BBC album), Ringo was featured on vocals. The song later turned up on The Beatles’ Long Tall Sally EP in England, and on the Something New album in America also with Ringo on the vocals.

The Beatles’ recording of “Matchbox” was issued as the A-side of today’s single in a nice picture sleeve and climbed to number 17 on the pop charts. Today, it also can be found on The Beatles’ Past Masters Volume 1 album. For the studio recording, the group was augmented by George Martin who played piano on the track.

The song has also been covered by Jerry Lee Lewis, Ronnie Hawkins, Johnny Rivers, Bob Dylan (unreleased), Derek and the Dominos, Willie Nelson, Johnny Cash, Jeff Beck & The Big Town Playboys, Duane Eddy and “The Silver Wilburys” (featuring George Harrison, Bob Dylan, John Fogerty, Taj Mahal & Jesse Ed Davis).

Edited: January 22nd, 2014

Song Of The Day by Eric Berman – The Jukebox Series #16 – The Beatles: “Paperback Writer” b/w “Rain” – Capitol 45 RPM Single 5651 (K2/L2)

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Song Of The Day by Eric Berman – The Jukebox Series #16 – The Beatles: “Paperback Writer” b/w “Rain” – Capitol 45 RPM Single 5651 (K2/L2)

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.

We’ve hit ground zero for classic singles! It really doesn’t get any better than the coupling of “Paperback Writer” and “Rain” on a single slab of 45RPM vinyl. And, the single wasn’t even intended to be a double A-side, it just worked out that way on the strength of the material.

Both songs were cut during the sessions for Revolver in which The Beatles began to spread their creative wings and experiment in the studio. “Paperback Writer” was recorded with a boosted bass sound because Lennon wanted to emulate the bass sound on a Wilson Pickett record he liked. It was also cut much louder than other singles of its time to make its searing guitar riff stand out on the radio, and as a result, the song topped the charts in 1966.

The lyrics were in response to a comment that McCartney’s Aunt Lil made to him challenging him to write a song that wasn’t about love. Paul: “Years ago my Auntie Lil said to me, ‘Why can’t you ever write about a horse or the summit conference or something interesting?’  So I thought, All right, Auntie Lil. I’ll show you.”

The song is written in the form of a letter from an author to his publisher talking about a book he’s written based on “a man named Lear.” Lear was Edward Lear, a Victorian painter who wrote poems and prose whom John Lennon admired. Paperback books were seen to be a cut-rate second cousin to hardcover books which were looked upon as works of art, so the writer in the song is only striving to be a paperback writer. During the song, Lennon and Harrison interpolate the French nursery rhyme, “Frere Jaques” as a counter melody.

The “meat and dolls” photo that graced first pressings of the Yesterday And Today album was originally taken to promote this single in the trades, and a promotional film directed by Michael Lindsay-Hogg was created showing the Fabs traipsing around an English garden.

On the flip, is “Rain,” one of The Beatles’ all-time greatest tracks exemplifying the amount of experimentation the group were putting into their recordings of the time. “Rain’s” backing track was recorded faster than normal and played back at a slightly slower speed giving the record a psychedelic off-kilter feel. Conversely, Lennon’s vocals were recorded at a slightly slower speed and sped up during playback making his vocals sound slightly higher than normal.

The song also features one of the first uses of backwards vocals on a rock record. Lennon: “After we’d done the session on that particular song—it ended at about four or five in the morning—I went home with a tape to see what else you could do with it. And I was sort of very tired, you know, not knowing what I was doing, and I just happened to put it on my own tape recorder and it came out backwards. And I liked it better. So that’s how it happened.”

The backwards vocal at the end fade out is actually the songs first line: “When the rain comes they run and hide their heads.” Beatles engineer, Geoff Emerick said “From that point on, almost every overdub we did on Revolver had to be tried backwards as well as forwards.”

The song reached number 23 on the charts as a B-side, and Ringo Starr considers his drumming on the track to be his best recorded performance. The single’s picture sleeve inadvertently depicted Lennon and Harrison playing left handed because Capitol’s art department mistakenly reversed their photos.

Three videos were created to promote “Rain,” directed again by Michael Lindsay-Hogg. (Lindsay-Hogg first worked with the group on the set of Ready Steady Go several years earlier.)  One was filmed at Chiswick House in London and shows The Beatles walking and singing in a garden, while the other two feature the band performing on a soundstage.

Edited: October 28th, 2013

Song Of The Day by Eric Berman – 4/27/13

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Song Of The Day by Eric Berman – “Lovely Rita” by The Beatles

I just heard The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band for the first time today!

Well, that’s not entirely true. I’ve been listening to this record since it was new. I guess that’s one of the big positives of having older siblings, you got to hear cool records when they came out, way before your peer group caught on to them.

I’ve been reading the Howard Kaylan biography Shell Shocked which was written by Kaylan and Jeff Tamarkin. Howard Kaylan was a member of The Turtles and The Mother’s Of Invention. He was also Eddie of Flo & Eddie. So far, the book is a great read with numerous first person accounts of historic musical moments, a real page turner!

Kaylan tells the story of The Turtles’ first visit to England in 1967 when their hit “Happy Together” was riding high on the charts. No sooner had the band arrived at their hotel, they received a call from Graham Nash, then of The Hollies, who invited the group over to his house for a little “refreshment.” While visiting, Nash pulls out a reel-to-reel tape of The Beatles’ forthcoming Sgt. Pepper album. Kaylan proceeds to tell about that game changing first listen, and the seismic impact the record had on him and everything that came after it. The story continues with Nash taking them to a swingin’ London club for an audience with The Fabs (at least three of them) that went awry because John Lennon was being a prick.

Inspired by Kaylan’s story, I tried an experiment on my way to work today. I cued up Sgt. Pepper on my iPod and tried to listen to the record as if it were the first time I’d ever heard it. In my mind, I wiped away the impact the record had on everything that came after, and proceeded to attempt to experience the record as if it was the first time I’d ever heard it.

It was impossible to do. Too much baggage, too many lyrics ingrained in my memory, too much life lived with this record for it to sound truly brand new.

What I did get from my experiment was a newfound appreciation for how it really was one of the most groundbreaking records of the time, and for that matter all time. With its segued songs and symphonic sequencing, use of recording techniques and layers upon layers of sound, plus its distinctive front cover graphics that begged hours of study and the inclusion of lyrics on the back, it really is a special record from a very special time in history.

That said, it was never my favorite Beatles record, but after 46 years the record still remains fresh and unique. Its inventiveness remains stunning. So what more can I possibly say about this record that hasn’t been said before? Absolutely nothing, except if you haven’t visited its wonderment in awhile, it’s high time you did.

Edited: April 26th, 2013

Song Of The Day by Eric Berman – 7/5/12

Song Of The Day by Eric Berman – “Thank You Girl” by The Beatles

Pretty good song…I think this band has a future…

Edited: July 5th, 2012

Song Of The Day – 1/11/12

 

 

 

 

 

 

Song Of The Day by Eric Berman – “It Don’t Come Easy” by Bettye LaVette

Bettye LaVette had several deep soul hits back in the early 1960s including the 1962 top-ten “My Man, He’s A Lovin’ Man” and 1965′s “Let Me Down Easy.” She then sank into obscurity for nearly 40 years. She was rediscovered by European soul fans in 2000 resulting in several critically acclaimed comeback albums. Here she is singing her version of the Ringo Starr classic in New York City. She was touring behind her latest album called “Interpretations: The British Rock Songbook” a very daring record she made covering songs by Pink Floyd (“Wish You Were Here”), The Beatles (“The Word”), Eric Clapton (“Why Does Love Got To Be So Bad”), The Who (“Love Reign O’er Me”) and others by The Moody Blues, The Animals, Elton John, Paul McCartney and George Harrison. While she doesn’t improve on many of the songs, she does put her own stamp on them and doesn’t just parrot the original arrangements. A flawed album, perhaps, but the high marks make it all worthwhile.

Edited: January 11th, 2012

Song Of The Day – 1/4/12

 

 

 

 

 

 

 

 

Song Of The Day by Eric Berman – “Dear Prudence” by The Beatles

Prudence was, of course, actress Mia Farrow’s sister. They were in attendance in India studying Transcendental Meditation with Maharishi Mahesh Yogi along with The Beatles, Donovan and Mike Love of the Beach Boys. Prudence was very serious about TM and spent most of her time in her room meditating. Beatle John was concerned for her wellbeing and wrote this song inviting her to come out to play. Prudence went on to become a teacher and still practices TM to this day. The song appeared on “The Beatles” better known as “The White Album” from 1968 and features Paul McCartney on drums because a frustrated Ringo had walked out of the sessions — and the band — for a few days.

Edited: January 4th, 2012

Song Of The Day – 8/20/11

Song Of the Day – “Me And My Arrow” by Harry Nilsson

From the 1971 animated TV special “The Point.” The main character was Oblio whose head was round while everyone else had pointed heads. Arrow was his dog. While Ringo Starr supplied the voice of the narrator on the home video, it was Dustin Hoffman’s voice in the original telecast. The voice of Oblio was supplied by Bobby Brady of the Brady Bunch…

Edited: August 19th, 2011