Posts Tagged ‘Nashville Skyline’

Song of the Day by Eric Berman – The Jukebox Series #22 – Bob Dylan: “Lay Lady Lay” b/w “I Threw It All Away” – Columbia 45 RPM Single 13-33178 (C3/D3)

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Song of the Day by Eric Berman – The Jukebox Series #22 – Bob Dylan: “Lay Lady Lay” b/w “I Threw It All Away” – Columbia 45 RPM Single 13-33178 (C3/D3)

The late 1960s introduced a new Bob Dylan to the world. With his motorcycle accident and requisite seclusion in Woodstock behind him, he emerged with John Wesley Harding, a rootsy, back-to-basics album in 1968 that flew in the face of the flamboyant psychedelic music that was currently all the rage at the time.

However, nothing could prepare Dylan fans for what followed in 1969: A content Dylan who was seemingly happy with his lot in life, complete with a new soulful, melodic croon of a voice that replaced the nasal monotone of the past. Most crucially, the 1969 model Dylan marked another shift in musical direction away from the mainstream, with an album of country influenced tunes called Nashville Skyline that was quite simply, unlike anything else he had recorded up to that point.

The album was recorded with a who’s who of Nashville’s finest session musicians including Norman Blake on guitar and dobro, Kenny Buttrey on drums, Fred Carter, Jr. on guitar, Charlie Daniels on bass, Pete Drake on pedal steel guitar, Charlie McCoy on guitar and harmonica, Bob Wilson on piano and organ and several others including Johnny Cash who provided duet vocals on “Girl From The North Country.”

“Lay Lady Lay,” the A-side of today’s jukebox classic was originally intended for the soundtrack of the movie Midnight Cowboy, but it was submitted too late to make the film and Nilsson’s cover of Fred Neil’s “Everybody’s Talking” was used in its place. Dylan then offered the song to the Everly Brothers backstage at a concert. When Dylan played “Lay Lady Lay” for them, they thought he was singing “lay across my big breasts, babe” instead of “lay across my big brass bed” and didn’t’ think that the song was appropriate for them to record. When they finally heard the correct lyrics in Dylan’s recording, they realized what a mistake they had made. They finally got around to recording the song for their EB 84 album in 1984. (songfacts.com)

“Lay Lady Lay” became one of Dylan’s biggest singles climbing all the way to #7 on the Billboard pop charts. According to Johnny Cash, Dylan introduced the song in a circle of song writers who congregated at Cash’s house that included Shel Silverstein who played “A Boy Named Sue,” Joni Mitchell who broke out “The Circle Game,” Graham Nash who performed “Marrakesh Express” and Kris Kristofferson who played “Me And Bobby McGee.” (songfacts.com)

Over the years, “Lay Lady Lay” has been covered by the likes of Cher, The Byrds, The Everly Brothers, Melanie, The Isley Brothers, Keith Jarrett, Neil Diamond, Isaac Hayes, Richie Havens, Steve Howe, Booker T. & the MGs, Buddy Guy, Duran Duran and Ministry.

The flip of today’s single was the first single release from Nashville Skyline, although it only charted at #85 on the Billboard pop charts. After writing the song, Dylan shared it with George Harrison who brought it to The Beatles’ Let It Be recording sessions. Session tapes reveal that George took the song out for a spin during The Beatles’ session for a performance . The song was also covered by Cher, Elvis Costello, Graham Parker, Lambchop and Yo La Tengo.

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over 14 years and in that time I’d like to think that I’ve perfected the mix of 45s within.

Edited: April 27th, 2015

Song of the Day by Eric Berman – “Tonight I’ll Be Staying Here with You” by Cher

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Song of the Day by Eric Berman – “Tonight I’ll Be Staying Here with You” by Cher

When one thinks of great interpreters of Bob Dylan, the name Cher doesn’t automatically come to mind. But she was, in fact, a huge champion of Dylan’s songs, and his songs fit her voice like a glove. Over the years, Cher covered such Dylan copyrights as “All I Really Want To Do” (a #15 hit),“Lay Lady Lay” (titled “Lay Baby Lay” on her version), “I Threw It All Away,” “Don’t Think Twice, It’s All Right,” “Like A Rolling Stone,” “Masters Of War,” “The Times, They Are A-Changin’” and today’s Song Of The Day, “Tonight I’ll Be Staying Here with You.”

Cher cut her version of “Tonight I’ll Be Staying Here with You” when it was a new song from Dylan’s just-released “Nashville Skyline.” Her version was released on the 1969 album “3614 Jackson Highway,” titled for the address of Muscle Shoals Studios in Alabama where it was recorded.

The idea of bringing Cher to Muscle Shoals to work with Jerry Wexler, Tom Dowd and Arif Mardin (who had also produced Dusty Springfield’s killer Dusty in Memphis album) was a brilliant one, and the results produced a terrific album that was not particularly well received when released and, unfortunately, didn’t sell well either. Although Wexler does get a production credit on the record, he was not present for the recording of Cher’s vocals because he came down with pneumonia during the sessions. He did, however, choose all of the songs for Cher to record.

One of the reasons the album might not have sold so well was that back in 1969 the address and the studio were a completely unknown entity. In fact, Cher’s album was the first record cut there. The studio was formed in 1969 by musicians Barry Beckett (keyboards), Roger Hawkins (drums), Jimmy Johnson (guitar) and David Hood (bass) who had left the legendary FAME Studios, founded by Arthur Alexander, to launch Muscle Shoals.

Cher remains one of our greatest interpreters of song, especially in the 1960s, and for this album she adeptly covered Buffalo Springfield’s “For What It’s Worth,” Otis Redding’s “(Sittin’ On) The Dock Of The Bay,” Dr. John’s “I Walk On Gilded Splinters,” Dan Penn and Spooner Oldham’s “Cry Like A Baby” (a hit for The Box Tops), Chips Moman and Dan Penn’s (by way of Aretha Franklin) “Do Right Woman, Do Right Man” and three of the above named Dylan songs, including today’s Song of the Day.

The musicians on the sessions were Eddie Hinton on lead guitar, Jimmy Johnson on rhythm guitar, Barry Beckett on keyboards, Dave Hood on bass and Roger Hawkins on drums. The record was re-released by Rhino Handmade in 2001 and augmented with another 12 songs Cher cut for the Atco label that went unreleased.

Edited: February 8th, 2015

Song of the Day by Eric Berman – “One Too Many Mornings” by Bob Dylan & Johnny Cash

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Song of the Day by Eric Berman – “One Too Many Mornings” by Bob Dylan & Johnny Cash

Still a mystery to me why these recordings have never been officially released…and now that The Complete Basement Tapes have finally seen the light of day, maybe their time has come…

The Dylan-Cash Sessions took place in Nashville’s Columbia Studio A on February 17-18, 1969 at the tail end of the Nashville Skyline recording sessions. During the same week that Dylan turned in such indelible recordings as “I Threw It All Away,” “Lay Lady Lay,” “To Be Alone With You” and “Tonight I’ll Be Staying Here With You,” Johnny Cash, who had been recording in an adjoining studio, turned up for some recording fun.

What transpired were several days of session in which the two traded songs and laid some duets down on tape with an eye toward making a record together. In the studio with Dylan and Cash were the cream of the Nashville session elite including Norman Blake on guitar and dobro, Kenny Buttrey on drums, Fred Carter, Jr. on guitar, Charlie Daniels on bass, Pete Drake on pedal steel, Marshall Grant on bass, W.S. Holland on drums, Charlie McCoy on guitar and harmonica, Bob Wilson on the crucial organ and piano work and Bob Wootton on electric guitar.

The fifteen selections that have been widely circulated include jovial run-throughs of Cash standards like “Big River,” “I Walk The Line,” “Ring Of Fire,” “Guess Things Happen That Way” and “I Still Miss Someone,” plus Dylan’s “Girl From The North Country” and today’s Song Of The Day by Eric Berman, “One Too Many Mornings,” plus versions the rock and roll classics “Matchbox,” “That’s All Right Mama” and “Mystery Train.”

Not enough music came out of the loose sessions deemed worthy of release at the time except “Girl from the North Country,” which opened Nashville Skyline. So the rest sat on the shelves at Columbia and in the hands of lucky collectors.

It totally knocks me out that footage exists of these sessions at all, but here is a YouTube clip of the two in the studio. Cash handles the lion share of the lead vocals here and on most of the recordings, and Dylan seem somewhat out of his element with his vocals. That said, you can hear the mutual respect the two artists have for each other in every note of the joyful music they made.

Nashville Skyline went on to be a big success, giving Dylan his biggest hit to date with “Lay Lady Lay.”

Edited: November 13th, 2014

Song Of The Day by Eric Berman – The Jukebox Series #22 – Bob Dylan: “Lay Lady Lay” b/w “I Threw It All Away” – Columbia 45 RPM Single 13-33178 (C3/D3)

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Song Of The Day by Eric Berman – The Jukebox Series #22 – Bob Dylan: “Lay Lady Lay” b/w “I Threw It All Away” – Columbia 45 RPM Single 13-33178 (C3/D3)

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.

The late 1960s introduced a new Bob Dylan to the world. With his motorcycle accident and requisite seclusion in Woodstock behind him, he emerged with John Wesley Harding, a rootsy, back-to-basics album in 1968 that flew in the face of the flamboyant psychedelic music that was currently all the rage at the time.

However, nothing could prepare Dylan fans for what followed in 1969: A content Dylan who was seemingly happy with his lot in life, complete with a new soulful, melodic croon of a voice that replaced the nasal monotone of the past.  Most crucially, the 1969 Dylan model marked another shift in musical direction away from the mainstream, with an album of country influenced tunes called Nashville Skyline that was quite simply, unlike anything else he had recorded up to that point.

The album was recorded with a who’s who of Nashville’s finest session musicians including Norman Blake on guitar and dobro, Kenny Buttrey on drums, Fred Carter, Jr. on guitar, Charlie Daniels on bass, Pete Drake on pedal steel guitar, Charlie McCoy on guitar and harmonica, Bob Wilson on piano and organ and several others including Johnny Cash who provided duet vocals on “Girl From The North Country.”

“Lay Lady Lay,” the A-side of today’s jukebox classic was originally intended for the soundtrack of the movie Midnight Cowboy, but it was submitted too late to make the film and Nilsson’s cover of Fred Neil’s “Everybody’s Talking” was used in its place. Dylan then offered the song to the Everly Brothers backstage at a concert. When Dylan played “Lay Lady Lay” for them, they thought he was singing “lay across my big breasts, babe” instead of “lay across my big brass bed” and didn’t’ think that the song was appropriate for them to record. When they finally heard the correct lyrics in Dylan’s recording, they realized what a mistake they had made. They finally got around to recording the song for their EB 84 album in 1984.

“Lay Lady Lay” became one of Dylan’s biggest singles climbing all the way to #7 on the Billboard pop charts. According to Johnny Cash, Dylan introduced the song in a song circle of writers who congregated at Cash’s house that included Shel Silverstein who played “A Boy Named Sue,” Joni Mitchell who broke out “The Circle Game,” Graham Nash who performed “Marrakesh Express” and Kris Kristofferson who played “Me And Bobby McGee.”

Over the years, “Lay Lady Lay” has been covered by the likes of Cher, The Byrds, The Everly Brothers, Melanie, The Isley Brothers, Keith Jarrett, Neil Diamond, Isaac Hayes, Richie Havens, Steve Howe, Booker T. & The MGs, Buddy Guy, Duran Duran and Ministry.

The flip of today’s single was the first single release from Nashville Skyline, although it only charted at #85 on the Billboard pop charts. After writing the song, Dylan shared it with George Harrison who brought it to The Beatles’ Let It Be recording sessions. Session tapes reveal that George took the song out for a spin during The Beatles’ session and performed it . The song has also been covered by Cher, Elvis Costello, Graham Parker, Lambchop and Yo La Tengo.

Looking for classic Dylan recordings on YouTube is somewhat of a lost cause, so today’s audio clips feature Cher’s version of “Lay Lady Lay” under the title “Lay Baby Lay” recorded for her 1969 album 3614 Jackson Highway, and George Harrison’s bootleg take of “I Threw It All Away” from The Beatles’ Let It Be sessions in January of 1969.

Edited: November 5th, 2013

Song Of The Day by Eric Berman – 2/26/13

Song Of The Day by Eric Berman – “One Too Many Mornings” by Bob Dylan & Johnny Cash

Still a mystery to me why these recordings have never been officially released…

The Dylan-Cash Sessions took place in Nashville’s Columbia Studio A on February 17-18, 1969 at the tail end of the Nashville Skyline recording sessions. During the same week that Dylan turned in such indelible recordings as “I Threw It All Away,” “Lay Lady Lay,” “To Be Alone With You” and “Tonight I’ll Be Staying Here With You,” Johnny Cash, who had been recording in an adjoining  studio turned up for some recording fun.

What transpired was several days of session in which the two traded songs and laid some duets down on tape with an eye toward making a record together. In the studio with Dylan and Cash were the cream of the Nashville session elite including Norman Blake on guitar and dobro, Kenny Buttrey on drums, Fred Carter, Jr. on guitar, Charlie Daniels on bass, Pete Drake on pedal steel, Marshall Grant on bass, W.S. Holland on drums,  Charlie McCoy on guitar and harmonica, Bob Wilson (crucially) on the organ and piano and Bob Wootton on electric guitar.

The fifteen selections that have been widely circulated include jovial run-throughs of Cash standards like “Big River,” “I Walk The Line,” “Ring Of Fire,” “Guess Things Happen That Way” and “I Still Miss Someone,” plus Dylan’s “Girl From The North Country” and today’s Song Of The Day, “One Too Many Mornings,” and versions the rock and roll classics “Matchbox,” “That’s All Right Mama” and “Mystery Train.”

Not enough music came out of the loose sessions deemed worthy of release at the time except “Girl From The North Country,” which opened Nashville Skyline. So the rest sat on the shelves at Columbia and in the hands of lucky collectors.

It totally knocks me out that footage exists of these sessions at all, but here is a YouTube clip of the two in the studio. Cash handles the lion share of the lead vocals here and on most of the recordings, and Dylan seem somewhat out of his element with his vocals. That said, you can hear the mutual respect the two artists have for each other in every note of the joyful music they made.

Nashville Skyline  went on to be a big success, giving Dylan his biggest hit to date with “Lay Lady Lay.”

Edited: February 25th, 2013

Song Of The Day by Eric Berman – 2/10/13

Song Of The Day by Eric Berman – “Tonight I’ll Be Staying Here With You” by Cher

When one thinks of interpreters of Bob Dylan, the name Cher doesn’t automatically come to mind. But she was, in fact, a huge champion of Dylan’s songs, and his songs fit her voice like a glove. Over the years, Cher has covered such Dylan copyrights as “All I Really Want To Do” (a #15 hit),“Lay Lady Lay” (titled “Lay Baby Lay” on her version), “I Threw It All Away,” “Don’t Think Twice, It’s All Right,” “Like A Rolling Stone,” “Masters Of War,” “The Times, They Are A-Changin’” and today’s Song Of The Day, “Tonight I’ll Be Staying Here With You.”

Cher cut her version of “Tonight I’ll Be Staying Here With You” when it was a new song from Dylan’s just-released “Nashville Skyline.” Her version was released on the 1969 album “3614 Jackson Highway,” titled for the address of Muscle Shoals Studios in Alabama.

The idea of bringing Cher to Muscle Shoals to work with Jerry Wexler, Tom Dowd and Arif Mardin (who had also produced Dusty Springfield’s Dusty In Memphis album) was a brilliant one, and the results produced a terrific album that was not particularly well received when released and, unfortunately, didn’t sell well either.  Although Wexler does get a production credit on the record, he was not present for the recording of Cher’s vocals because he came down with pneumonia during the sessions. He did, however, choose all of the songs for Cher to record.

One of the reasons the album might not have sold so well was that back in 1969 the address and the studio were a completely unknown entity. In fact, Cher’s album was the first record cut there.  The studio was formed in 1969 by musicians Barry Beckett (keyboards), Roger Hawkins (drums), Jimmy Johnson (guitar) and David Hood (bass) who had left the legendary FAME Studios, founded by Arthur Alexander, to launch Muscle Shoals.

Cher remains one of our greatest interpreters of song, especially in the 1960s, and for this album she adeptly covered Buffalo Springfield’s “For What It’s Worth,” Otis Redding’s “(Sittin’ On) The Dock Of The Bay,” Dr. John’s “I Walk On Gilded Splinters,” Dan Penn and Spooner Oldham’s “Cry Like A Baby” (a hit for The Box Tops), Chips Moman and Dan Penn’s (by way of Aretha Franklin) “Do Right Woman, Do Right Man” and three of the above named Dylan songs, including today’s Song Of the Day.

The musicians on the sessions were Eddie Hinton on lead guitar, Jimmy Johnson on rhythm guitar, Barry Beckett on keyboards, Dave Hood on bass and Roger Hawkins on drums. The record was re-released by Rhino Handmade in 2001 and augmented with another 12 songs Cher cut for Atco that went unreleased.

Edited: February 9th, 2013