News for the ‘Paul McCartney’ Category

Song of the Day by Eric Berman – The Jukebox Series #7 – Paul & Linda McCartney – “Uncle Albert/Admiral Halsey” b/w “Too Many People” – Apple Records 45 1837 1971 (M1/N1)

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Song of the Day by Eric Berman – The Jukebox Series #7 – Paul & Linda McCartney – “Uncle Albert/Admiral Halsey” b/w “Too Many People” – Apple Records 45 1837 1971 (M1/N1)

Lyrics were never his strong suit…and the lyrics from “Uncle Albert/Admiral Halsey” are at best incoherent. However, you’d be hard pressed to argue with the musical prowess of Paul McCartney especially on today’s Song of the Day.

Today’s single was culled from Paul McCartney’s second solo album Ram, the only album in his vast catalog credited to Paul & Linda McCartney. The album was recorded in New York City with backing musicians David Spinozza on guitar, Hugh McCracken (who replaced Spinozza for the second half of the sessions) on guitar and future Wings member Denny Seiwell on drums.

The construction of “Uncle Albert/Admiral Halsey” picks up where the second side of The Beatles’ Abbey Road left off. Here we have McCartney dabbling in multi part suites of music, and the song is an amalgam of its many unfinished parts. McCartney wouldn’t perfect this way of song construction until “Band On The Run” two years later.

The song was inspired by Paul’s real Uncle Albert Kendall who married his Aunt Millie. Uncle Albert would habitually get drunk and then read passages from the Bible out loud. The admiral of the song was inspired by American Naval Admiral William “Bull” Halsey,” however Paul’s use of Admiral Halsey’s name was chosen because of the way it sounded and had nothing to do with who Halsey was or what he did.

The single was McCartney’s first chart topper away from The Beatles and it won the Grammy Award for Best Arrangement Accompanying Vocalists in 1971. It was never released as a single in the UK, where they got “The Back Seat Of My Car” instead as Ram’s first single. The song’s flugelhorn part was played by Jazz be-bop trumpet player Marvin Stamm who never met McCartney in person, as his parts were recorded in London and overdubbed onto the master in New York. The New York Philharmonic Orchestra was also brought in for the arrangement.

The flip of the single is “Too Many People” which is also the opening track on Ram. After the acrimonious split of The Beatles, Lennon and McCartney cryptically addressed each other in lines from their songs. Several lines from “Too Many People” were seen as snipes at John Lennon, like the line “Too many people preaching practices.” Paul: “[John had] been doing a lot of preaching, and it got up my nose a little bit.” (SongFacts.com) The line “You took your lucky break and broke it in too” was also seen as addressing McCartney’s former writing partner with the lucky break referring to being a member of The Beatles and his breaking it in two about their breakup.

Lennon retorted on his next album Imagine with the scathing “How Do You Sleep.” The album also included a postcard photo in early pressings depicting a smiling Lennon holding a pig’s ears in the same pose as McCartney holding the ram’s horns on the cover of Ram.

The sessions for Ram also produced McCartney’s first solo single “Another Day,” as well as early versions of “Big Barn Bed,” “Little Lamb Dragonfly” and “Get On The Right Thing” which turned up on McCartney’s 1973 album Red Rose Speedway. McCartney released an all-instrumental version of the Ram album in 1977 under the pseudonym of Percy “Thrills” Thrillington.

Ram was roundly panned by the critics when it was released in 1971; however it has grown in stature over the years. I’ve always loved the album and it is still one of my all-time favorite records all these years later. As far as “musical comfort food” goes, this one has been a staple in my diet since it came out – very tasty, always reliable with plenty of room for multiple helpings.

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over fourteen years and in that time I’d like to think that I’ve perfected the mix of 45s within.

Edited: March 22nd, 2015

Song Of The Day by Eric Berman – “Long, Long, Long” by The Beatles

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Song Of The Day by Eric Berman – “Long, Long, Long” by The Beatles

One of George Harrison’s most underrated songs and a highlight of The White Album for sure. The song was actually recorded by “The Threetles” since John Lennon was not present for any of the sessions.

Lennon’s absence kind of illustrates the short shrift that Harrison’s songs were given during Beatle recording sessions, considering that songs like “Something,” “Not Guilty” and “Sour Milk Sea” were left off The White Album and “All Things Must Pass” “Isn’t It A Pity” and “Let It Down” were left off of Let It Be in favor of much weaker material like “Dig It,” “Maggie Mae” and “Good Night.”

The rattling heard during the psychedelic meltdown at the end of the track was from a bottle of wine that was left on top of a speaker during the recording. Happy “mistakes” like this were often left in making the recording more interesting and more psychedelic. “Long, Long, Long” is one in a long line of Harrison love songs that can be directed at either his wife or the Lord.

Edited: June 12th, 2014

Song Of The Day by Eric Berman – “She’s My Baby” by Wings

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Song Of The Day by Eric Berman – “She’s My Baby” by Wings


Wings At The Speed Of Sound, the 1976 album where this song is from is one of Paul McCartney’s slighter efforts recorded quickly to have a some product on the shelves in time for the Wings Over America” tour of 1976. That said, it does have its charms…”Beware My Love,” “Time To Hide” and this breezy favorite.

Edited: June 4th, 2014

Song Of The Day by Eric Berman – The Jukebox Series #7 – Paul & Linda McCartney – “Uncle Albert/Admiral Halsey” b/w “Too Many People” – Apple Records 45 1837 1971 (M1/N1)

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Song Of The Day by Eric Berman – The Jukebox Series #7 – Paul & Linda McCartney  – “Uncle Albert/Admiral Halsey” b/w “Too Many People”  – Apple Records 45 1837 1971 (M1/N1)

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.

Lyrics were never his strong suit…and the lyrics from “Uncle Albert/Admiral Halsey” are at best incoherent. However, you’d be hard pressed to argue with the musical prowess of Paul McCartney especially on today’s Song Of The Day.

Today’s single was culled from Paul McCartney’s second solo album Ram, the only album in his vast catalog credited to Paul & Linda McCartney. The album was recorded in New York City with backing musicians David Spinozza on guitar, Hugh McCracken (who replaced Spinozza for the second half of the sessions) on guitar and future Wings member Denny Seiwell on drums.

The construction of “Uncle Albert/Admiral Halsey” picks up where the second side of The Beatles’ Abbey Road left off. Here we have McCartney dabbling in multi part suites of music, and the song is an amalgam of its many unfinished parts. McCartney wouldn’t perfect this way of song construction until “Band On The Run” two years later.

The song was inspired by Paul’s real Uncle Albert Kendall who married his Aunt Millie. Uncle Albert would habitually get drunk and then read passages from the Bible out loud. The admiral of the song was inspired by American Naval Admiral William “Bull” Halsey,” however Paul’s use of Admiral Halsey’s name was chosen because of the way it sounded and had nothing to do with who Halsey was or what he did.

The single was McCartney’s first chart topper away from The Beatles and it won the Grammy Award for Best Arrangement Accompanying Vocalists in 1971. It was never released as a single in the UK, where they got “The Back Seat Of My Car” instead as the first single. The song’s flugelhorn part was played by Jazz be-bop trumpet player Marvin Stamm who never met McCartney in person, as his parts were recorded in London and overdubbed onto the master in New York. The New York Philharmonic Orchestra was also brought in for the arrangement.

The flip of the single is “Too Many People” which is also the opening track on Ram. After the acrimonious split of The Beatles, Lennon and McCartney cryptically addressed each other in lines from their songs. Several lines from “Too Many People” were seen as snipes at John Lennon, like the line “Too many people preaching practices.” Paul: “[John had] been doing a lot of preaching, and it got up my nose a little bit.” The line “You took your lucky break and broke it in too” was also seen as addressing McCartney’s former writing partner with the lucky break referring to being a member of The Beatles and his breaking it in two about their breakup.

Lennon retorted on his next album Imagine with the scathing “How Do You Sleep.” The album also included a postcard photo in early pressings depicting a smiling Lennon holding a pig’s ears in the same pose as McCartney holding the ram’s horns on the cover of Ram.

The sessions for Ram also produced McCartney’s first solo single “Another Day,” as well as early versions of “Big Barn Bed,” “Little Lamb Dragonfly” and “Get On The Right Thing” which turned up on McCartney’s 1973 album Red Rose Speedway. McCartney released an all-instrumental version of the Ram album in 1977 under the pseudonym of Percy “Thrills” Thrillington.

Ram was roundly panned by the critics when it was released in 1971; however it has grown in stature over the years. I’ve always loved the album and it is still one of my all-time favorite records after all these years. As far as “musical comfort food” goes, this one has been a staple in my diet since it came out – very tasty, always reliable with plenty of room for multiple helpings.

Edited: October 15th, 2013

Song Of The Day by Eric Berman – 12/19/12 – Top Albums Of 2012 by Eric Berman

1. Deerhoof: Breakup Song (Polyvinyl)
Emanating from San Francisco (Greg Saunier & John Dieterich) by way of Japan (Satomi Matsuzaki), Deerhoof have released 12 albums of unpredictable music with a sound that would have made Yoko Ono proud and John Lennon jump for joy. It has finally come to pass that the ingredients of Yoko Ono’s recordings circa “Double Fantasy” that were championed by John Lennon have somewhat reached the mainstream with Deerhoof and their brand new release Breakup Song. Part electro-crunch, part sing-song melodies, part twee vocals and completely infectious in the dance rhythm department.

 

 

2. Divine Fits: A Thing Called Divine Fits (Merge)
When I first started playing Divine Fits’ debut album, I immediately gravitated to the songs that featured Britt Daniels on lead vocals. Daniels formed the band with Dan Boeckner of Wolf Parade and Sam Brown of New Bomb Turks while on hiatus from his band Spoon. In fact, it was Britt Daniels and the Spoon connection that led me to this album in the first place. What I found was that this record is chock full of terrific glam-infused tunes written by each band member with a heaping helping of ‘80s synth-pop and punk rock thrown in for good measure.

 

 

 

3. Ian Hunter: When I’m President (Slimstyle)
Ian Hunter is making records today that stand ever so tall in a catalog that includes classics by Mott The Hoople and solo staples like his eponymously titled debut album from 1975 and 1979’s classic You’re Never Alone With A Schizophrenic. The 73-year old and his current Rant Band have been on a roll, releasing several killer albums in a row, culminating in this year’s When I’m President. Hunter is supplied with pliant backing by the Rant Band featuring James Mastro (of Bongos fame) on guitar, Steve Holley (Elton John, Paul McCartney) on drums, Paul Page on bass, Mark Bosch on guitar, Andy Burton (Tiny Lights) on piano, Mark Rivera on sax and Andy York (Jason & The Scorchers) on backing vocals. Together they make a MOTTly sound on this solid collection packed with full-on Mott rockers with the brand of Dylanesque wordplay we’ve come to expect from Ian Hunter.

 

 

4. Japandroids: Celebration Rock (Polyvinyl)
Two Guys! No, not the department store from the 1960s, and not The White Stripes or Black Keys either. I’m talkin’ about two Canadian guys, Brian King on guitar and vocals and David Prowse on drums, who brought a firestorm of fury onto these shores with their aptly titled second full-length record Celebration Rock. Having seen these guys in action, I’m here to tell you that once they leave the stage, they leave a cadre of spent bodies with bleeding ears in their wake. And that’s a good thing, if your thing is high-powered, adrenaline producing walls of sound (think Husker Du) with the kind of chant-along hooks that haven’t been heard since U2 last fired up stadiums around the world.

 

 

 

5. Alabama Shakes: Boys And Girls (ATO)
Not your garden variety genre exercise. The Alabama Shakes’ debut record is a fine old-school, STAX-inspired soul record with sturdy songs sung by newcomer powerhouse vocalist Brittany Howard. They’re not just emulating a sound here, it’s totally genuine.

 

 
 

6. Bettye LaVette: Thankful N’ Thoughtful (Anti)
After over 40 years of obscurity, Bettye LaVette has come back, and since 2005 she’s recorded four excellent albums for the Anti record label, mostly consisting of well-chosen covers by her and her producer Craig Street. Her latest, and greatest, features inventive takes of Gnarls Barkley’s “Crazy,” Bob Dylan’s “Everything Is Broken,” The Pogues’ Dirty Old Town” and Neil Young’s “Everybody Knows This Is Nowhere.” It takes a big set of pipes to take on a song like Gnarls’ “Crazy,” but like the other tracks on this record, LaVette makes them all her own.

 

 

 

7. Jimmy Cliff: Rebirth (UME)
It would be easy to report that Rebirth is a return to form for Jimmy Cliff, but A. Cliff never left for me to proclaim he’s returned, and B. since you could always count on Cliff for the kind of sturdy Reggae album he released this year, he remains in very fine form. That said, the state of Reggae is alive and well in the hands of Jimmy Cliff who released one for the ages this year.

 

 

 

 
8. Jack White: Blunderbuss (Third Man)
He may have changed his color schemes from red and white to blue for his first solo record, but this album isn’t a White of a different color musically…and that’s a good thing! Mr. White looks at love from all sides now on Blunderbuss and has come up with a collection featuring biting lyrics and songs that get under your skin and stay there. With a tune stack that includes the White Stripe-ean bluster of “Sixteen Saltines,” the Led Zep folk of “Love Interruption” and the loosey-goosey rockabilly of “I’m Shakin’,” a new color scheme and not one, but two backing bands (one female one male), White has proven that even though he likes to lean on visual themes and shticks, his music speaks the loudest.

 

 

 

9. Frank Ocean: channel Orange (Def Jam)
I saw OFWGKTA perform at the Pitchfork Music Festival several years ago and utterly disliked their set. So when I began hearing the pre-release hype surrounding the album channel Orange by one of the members of Odd Future, I pretty much dismissed it in turn. That, my friends, was a big mistake. Upon finally hearing this record, my ears weren’t prepared for the pure soulful sounds (think Talking Book era Stevie Wonder or the “Superfly” sound of Curtis Mayfield) packed into superb tracks like “Sweet Life,” “Thinkin’ ‘Bout You,” “Super Rich Kids,” and “Crack Rock” which is both ethereal and gritty at the same time. Like too many of the hip hop records that come out today, the songs are surrounded by brief skits that, if anything, take away from the blissful experience of Ocean’s performances throughout this essential record. There’s a reason why this album is on everyone’s top albums of the year list this year (including mine), and the proof surely is in the grooves!

10. Animal Collective: Centipede Hz (Domino)
In a musical world where little is truly ever new, Animal Collective consistently tap into the past to create a sound that’s wholly their own. Like a wigged out Yes or a Beach Boys on acid, the sound of Animal Collective is like nothing else you’ve ever heard. Coming in on the heels of their breakthrough record, Merriweather Post Pavilion, Animal Collective took a left turn away from the bright lights of fame and has offered up a far denser platter that gives it up in spades upon repeated listening.

 

 

 

Runners Up
11. Dr. John: Locked Down (Nonesuch)
12. Ravi Coltrane: Spirit Fiction (Blue Note)
13. dBs: Falling Off The Sky (Bar None)
14. G.O.O.D. Music: Cruel Summer (Kanye West) (Island/Def Jam)
15. Branford Marsalis: 4 MF’s Playin’ Tunes (Marsalis Music)
16. Bob Dylan: Tempest (Columbia)
17. Aimee Mann: Charmer (Superego)
18. Neil Young & Crazy Horse: Americana (Reprise)
19. Leonard Cohen: Old Ideas (Columbia)
20. Grimes: Visions (4AD)

Best Of The Rest
21. Bela Fleck/Marcus Roberts Trio: Across The Imaginary Divide (Rounder)
22. Green Day: Dos (Reprise)
23. Flaming Lips: Flaming Lips & Heady Fwends (Warner Bros.)
24. Redd Kross: Researching The Blues (Merge)
25. Dwight Yoakam: 3 Pears (Reprise)
26. Kelly Hogan: I Like To Keep Myself In Pain (Anti)
27. Rhianna: Unapologetic (Island/Def Jam)
28. M. Ward: A Wasteland Companion (Merge)
29. Various Artists: Chimes Of Freedom – The Songs Of Bob Dylan (Amnesty International)
30. Beach Boys: That’s Why God Made The Radio (Capitol)

Reissues
1. Merle Saunders/Jerry Garcia: Keystone Companions – Complete 1973 Fantasy Recordings (Fantasy)
2. Johnny Cash: The Complete Albums Collection (Columbia)
3. Billy Bragg & Wilco: Mermaid Avenue – The Complete Sessions (Nonesuch)
4. Velvet Underground: Scepter Acetate LP (UME)/Velvet Underground: Verve/MGM Albums (Sundazed)
5. Captain Beefheart: Bat Chain Puller (Zappa Family Trust)
6. Joe Strummer & The Mescaleros – Catalog Reissues (Hellcat)
7. Carole King: Legendary Demos (Hear Music)
8. The English Beat: Complete Beat (Shout Factory)
9. The Who: Live At Hull
10. Paul McCartney: RAM (Hear Music)

Edited: December 18th, 2012

Song Of The Day by Eric Berman – 5/30/12

Song Of The Day by Eric Berman – “Ram On” by Paul & Linda McCartney

“Ram” is one of my all-time favorite albums…pretty close to the top of the heap in my estimation. I just listened to the newly released vinyl mono mix of this record today for the first time. The mono mix hasn’t been in circulation since its original release as a radio station promo back in 1971. It has now been reissued as a limited edition 180 gram vinyl pressing to as part of McCartney’s ongoing “Archive Collection” re-releases. It’s like meeting a friend that you are totally comfortable and intimately familiar with only to realize that there are nuances to their personality you never knew anything about. The differences between the stereo and mono mixes of this record are minor, however if you’ve listened to it pretty consistently over the last 40 years (like I have), you can feel them without being able to put your finger on what they actually are. As for this song, it’s still one of my favorites by Sir Paul. Its title was a bit of a pun since Paul used to go by the pseudonym Paul Ramon (Ram On) when he stayed at hotels, etc. He began performing this song on stage for the first time during his 2010 tour.

Edited: May 29th, 2012

Song Of The Day – 8/30/11

Song Of The Day – “Ever Present Past” by Paul McCartney

Macca has had a bit of resurgence in the albums department over the last few years. This one comes from his 2007 album “Memory Almost Full,” which to my ears is one of his best albums in years…and maybe one of the top five in his illustrious catalog. That’s saying a lot when that catalog includes albums like “Ram” and “Band On The Run.”

Edited: August 30th, 2011

Song Of The Day – 6/2/11

Song Of The Day – “Temporary Secretary” by Paul McCartney

OK, so do I really need another copy of his 1980 album “McCartney II?” I’ve owned it on vinyl for over 30 years and while I didn’t like it when it was new, I must admit it is one of my favorite Macca records now. The reissue will include many bonus tracks since the record was originally intended to be a double…I have most of them on bootleg.  My verdict…

Edited: June 2nd, 2011