News for the ‘Brian Wilson’ Category

Song of the Day by Eric Berman – The Jukebox Series #2 – Brian Wilson “Caroline No” b/w “Summer Means New Love” – Capitol 45 5610 (C1/D1)


Song of the Day by Eric Berman – The Jukebox Series #2 – Brian Wilson “Caroline No” b/w “Summer Means New Love” – Capitol 45 5610 (C1/D1)

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over fourteen years and in that time I’d like to think that I’ve perfected the mix of 45s within.

Today’s record inhabits position C1/D1 in the juke and it’s the only single attributed to Brian Wilson during his reign within the Beach Boys. The single was the first release from the group’s masterpiece Pet Sounds, although it was released in advance of the album. It really was a Brian Wilson solo record, as none of the Beach Boys appear on it. Rather, the musicians were members of the famous Wrecking Crew, a West Coast studio collective that played on hundreds of hit records during the 1960s featuring Hal Blaine on drums, Frank Capp on vibraphone, Carol Kaye on electric bass, Glen Campbell on guitar, Barney Kessel on guitar, Lyle Ritz on ukulele, Al De Lory on harpsichord, Bill Green on flute, Jim Horn on flute, Plas Johnson on flute, Jay Migliori on flute and Steve Douglas on tenor sax.

The song was written by Wilson and Tony Asher and while it only reached #32 on the charts, the meager chart position shouldn’t fool you into thinking that this is a minor recording. It is a major artistic achievement in every way possible! The original title for the song was “Caroline I Know,” however Brian misheard the title as “Caroline No” and both he and Asher decided that the title was more in keeping with the ennui of the song’s lyrics.

Many people believe the song is about Brian’s wife of the time, Marilyn Rovell, however the song was a composite of an ex-girlfriend of Asher’s who cut her hair and moved to New York, and Carol Mountain, an unrequited high school crush of Brian’s.

The drum heard at the beginning of the song was actually a large upside down empty water bottle that was lying around the studio. On the Pet Sounds album, the track ends with the sounds of trains which were pulled from the studio’s sound effects library meshed with the barking of Wilson’s dogs Banana and Louie. The sounds do not appear during the fade on the single release. It is also alleged that Murray Wilson (Brian’s father) took the master tape of the song before it was submitted to Capitol and sped it up in an effort to make Brian sound younger on the record. Nevertheless, to this day the sped up version is the one that is used on the album.

The single’s flip is a gorgeous instrumental that originally appeared on the Beach Boys’ 1965 album Summer Days (And Summer Nights). It is another Brian Wilson solo recording with none of the Beach Boys present in the studio. The song features many of the same Wrecking Crew members listed above. In a little under two minutes, Wilson conjures the feeling of that first blush of romance and hope, without ever uttering a single word.

Edited: March 4th, 2015

Song Of The Day by Eric Berman – 7/24/13

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Song Of The Day by Eric Berman – “Melt Away” by Brian Wilson

The fact that Brian Wilson’s eponymously titled album was ever completed was seen as nothing short of a miracle back in 1988 when it appeared in the record racks.

After more than a decade of inactivity in which Wilson spent most of his time in bed doing nothing, he came under the around the clock care of Dr. Eugene Landy who got him out of bed, put him on an exercise regimen and got him back into the studio.

Brian Wilson was paired with Beach Boy aficionado Andy Paley who produced the sessions, however like Murray Wilson (Brian’s dad) before him, Dr. Landy was a constant impediment to the album’s progress, bribing Wilson to do what he wanted (including changing lyrics to his liking) with milkshakes and hamburgers.

In fact, there are unreleased tapes known to collectors as “The Hamburger Tapes” in which Landy bribed Wilson to compose songs in exchange for hamburgers.  Controversially, Dr. Landy also took writing credits for himself and his girlfriend on many of the song from this album, which after a legal battle were later removed.

The album was met with unanimously positive reviews upon its release and it includes a strong set of songs including the now-classic “Love And Mercy,” “Baby Let Your Hair Grow Long,” “Night Time,” “Let It Shine” (co-written by Jeff Lynne), the eight minute multi-part suite “Rio Grande” and today’s Song Of The Day which was released as the album’s second single.

Although Landy’s ways were controversial and somewhat underhanded, he did manage to get Wilson’s creative mojo back to be share with the world.

Edited: July 23rd, 2013