News for the ‘Martha & The Vandellas’ Category

Song of the Day by Eric Berman – The Jukebox Series #76 – Martha and the Vandellas: “Wild One” b/w “Dancing Slow”– Gordy 7036 (L8/M8)

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Song of the Day by Eric Berman – The Jukebox Series #76 – Martha and the Vandellas: “Wild One” b/w “Dancing Slow”– Gordy 7036 (L8/M8)

Today’s Song of the Day is the second single in the jukebox by Martha Reeves and the Vandellas. As a result, I will pick up some of the biographical information I wrote about the group from my piece on “Jimmy Mack” (Jukebox Series #23) for this article.

Martha and the Vandellas was one of the most successful girl groups to come out of Motown. Unlike The Supremes, the Vandellas’ sound was far grittier and more danceable than the sugary pop that catapulted The Supremes to fame. Their list of classic hits includes “(Love Is Like a) Heat Wave,” “Nowhere to Run,” “Come And Get These Memories,” “Quicksand,” “Live Wire,” “Jimmy Mack,” “My Baby Loves Me,” “You’ve Been In Love Too Long,” and their signature single “Dancing in the Street.”

Today’s jukebox classic was not one of Martha and the Vandellas’ biggest hits, but it is one that has a distinctive uptown Brill Building sound to it, by way of Detroit. The song was written by William “Mickey” Stevenson and Ivy Jo Hunter who also were two of the three songwriters of the group’s defining hit “Dancing In The Street.” In fact, the backing track to this song was an alternate version of the backing track to “Dancing In The Street,” with the crucial difference of a heavily boosted drum track that sends the record into the dance floor stratosphere.

The song climbed to #11 on the R&B charts, but only placed at #34 on the Hot 100 singles chart. However, don’t let the somewhat anemic chart stats fool you; this song is every bit as potent as their biggest hits with its larger than life drum sound, tinny AM radio horn charts, and of course, the sultry vocal talents of Martha Reeves. The song was a tribute to bikers and was inspired by The Shangri-Las’ “Leader Of The Pack” and The Crystals’ “He’s A Rebel.”

Personnel on the track includes Martha Reeves on lead vocals, Rosalind Ashford, Betty Kelly, William “Mickey” Stevenson and Ivy Joe Hunter on background vocals, with instrumentation by various members of Motown’s session group The Funk Brothers, including Benny Benjamin on drums, James Jamerson on bass, Jack Ashford and Ivy Jo Hunter on percussion and Robert White and Eddie Willis on guitar.

The song was included on The Vandellas’ 1965 Dance Party album, as was the flip of today’s jukebox classic “Dancing Slow.” The album centered on a clutch of singles that were released during the previous year including the hits “Dancing In The Street” and “Come And Get These Memories,” plus the popular album track “Motoring.”

The flip of today’s single, “Dancing Slow” was a supper club ballad that was supposed to cast Martha Reeves in a new light as a nightclub performer. Around this time, Diana Ross and The Supremes scored three consecutive chart-topping singles, so Motown did not want The Vandellas’ to compete on the charts with the label’s new superstar group (even though Martha Reeves could sing circles around Diana Ross). As a result, the group was sent to the studio during the summer of 1964 to record a selection of MOR pop ballads, Broadway tunes and standards for a supper club album that never saw the light of day. Ultimately, The Supremes went on to become Motown’s biggest recording act, pushing Martha and the Vandellas to the side and ultimately off the label.

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over 14 years and in that time I’d like to think that I’ve perfected the mix of 45s within.

Edited: September 27th, 2015

Song of the Day by Eric Berman – The Jukebox Series #23 – Martha Reeves and the Vandellas: “Jimmy Mack” b/w “I’m Ready For Love” – Motown Yesteryear Series 45 RPM Single Y 455F (E3/F3)

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Song of the Day by Eric Berman – The Jukebox Series #23 – Martha Reeves and the Vandellas: “Jimmy Mack” b/w “I’m Ready For Love” – Motown Yesteryear Series 45 RPM Single Y 455F (E3/F3)

I first discovered today’s jukebox classic not in its original guise by Martha Reeves and the Vandellas’, but from a cover performed by Laura Nyro and LaBelle on their classic 1971 album called Gonna Take A Miracle. When I first heard Nyro’s version, I didn’t make the connection between the song and all of the other great Vandellas hits I already knew from the radio. It wasn’t until my older sister picked up a copy of Martha and the Vandellas’ Greatest Hits album in 1972 that I finally came to fully appreciate the magic of Motown’s finest girl group.

Martha and the Vandellas was one of the most successful girl groups to come out of Motown. Unlike The Supremes, the Vandellas’ sound was far grittier and more danceable than the sugary pop that catapulted The Supremes to fame. Their list of classic hits includes “(Love Is Like a) Heat Wave,” “Nowhere to Run,” “Come And Get These Memories,” “Quicksand,” “Live Wire,” “Wild One,” “My Baby Loves Me,” “You’ve Been In Love Too Long,” and their signature single “Dancing in the Street.”

“Jimmy Mack” was written and produced by the team of Brian Holland, Lamont Dozier and Eddie Holland and it was the group’s last American top-ten hit reaching #10 on the pop charts in 1967, and #1 R&B. It was also from the last batch of Martha and the Vandellas recordings featuring input from Holland-Dozier-Holland before they left the Motown fold. Not coincidentally, their departure from Motown aligned with the waning of The Vandellas’ popularity.

The impetus for the song came out of an industry awards dinner that Lamont Dozier attended. At the awards, Ronnie Mack won a posthumous award for composing the song “He’s So Fine.” His mother came up to accept the award on his behalf and Dozier decided he’d write the song in tribute to Ronnie Mack.

Lamont Dozier: “‘Jimmy Mack’ was about a kid who had written a song that was quite popular. When they called out his name there was something, along with the way his mother picked up the award, that kind of moved me and the name stuck with me. So when a melody came about that name seemed to spring up and fit well with the music we were writing at the time.” (NME 1984 via Songfacts)

Martha and the Vandellas originally recorded the song in 1964 as a typical teen anthem about lost love, but Motown’s quality control team rejected the recording leaving it unreleased in the Motown vaults. Three years later, Berry Gordy became aware of the recording and hearing a surefire hit made sure the song was released as a single. With the passage of time, the record took on a different meaning, especially to the many African American troops who were stationed overseas in Viet Nam.

The song was included in The Vandellas’ ballad-heavy 1967 album Watchout!, however the single version of this song opens with a drum intro that is not featured on the album cut. Personnel on the track included Martha Reeves on lead vocals, Rosalind Ashford and Annette Beard on background vocals, The Andantes: Marlene Barrow, Jackie Hicks and Louvain Demps on additional background vocals and instrumentation by various members of Motown’s session group The Funk Brothers, including Richard “Pistol” Allen on drums, Jack Ashford on vibes, Bob Babbitt on bass, Benny Benjamin on drums, Eddie “Bongo” Brown on percussion, Johnny Griffith on keyboards, Joe Hunter on keyboards, James Jamerson on bass, Uriel Jones on drums, Joe Messina on guitar, Earl Van Dyke on keyboards, Marvin Tarplin on guitar, Robert White on guitar and Eddie Willis.

The song was also covered by the likes of Karen Carpenter, Phil Collins, Sheena Easton (who scored a #65 chart hit with it in1986) and Bonnie Pointer. It was also cut by The Temptations for their 1967 album In A Mellow Mood.

The flip of today’s double A-sided single climbed up to the #9 position on the pop charts and rose to #2 on the R&B charts in 1966. The song was also written by Holland-Dozier-Holland and is a dead ringer for The Supremes hit “You Can’t Hurry Love” which they also wrote.

The track was also on The Vandellas’ Watchout! album and featured pretty much the same musicians as “Jimmy Mack,” except Betty Kelly sings background vocals instead of Annette Beard. The group also cut a Spanish version of the song under the title “Yo Necesito De Tu Amor.”

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over 14 years and in that time I’d like to think that I’ve perfected the mix of 45s within.

Edited: April 28th, 2015

Song Of The Day by Eric Berman – The Jukebox Series #76 – Martha and the Vandellas: “Wild One” b/w “Dancing Slow”– Gordy 7036 (L8/M8)

45ADAPTERmarthavandellaswildone45marthavandellasdancingslow45

Song Of The Day by Eric Berman – The Jukebox Series #76 – Martha and the Vandellas: “Wild One” b/w “Dancing Slow”– Gordy 7036 (L8/M8)

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.

Today’s Song Of the Day is the second single in the jukebox by Martha Reeves and the Vandellas. As a result, I will pick up some of the biographical information I wrote about the group from my piece on “Jimmy Mack” (Jukebox Series #23) for this article.

Martha and the Vandellas was one of the most successful girl groups to come out of Motown. Unlike The Supremes, the Vandellas’ sound was far grittier and more danceable than the sugary pop that catapulted The Supremes to fame. Their list of classic hits includes “(Love Is Like a) Heat Wave,” “Nowhere to Run,” “Come And Get These Memories,” “Quicksand,” “Live Wire,” “Jimmy Mack,” “My Baby Loves Me,”  “You’ve Been In Love Too Long,” and their signature single “Dancing in the Street.”

Today’s jukebox classic was not one of Martha and the Vandellas’ biggest hits, but it is one that has a distinctive uptown Brill Building sound to it, by way of Detroit. The song was written by William “Mickey” Stevenson and Ivy Jo Hunter who also were two of the three songwriters of the group’s defining hit “Dancing In The Street.” In fact, the backing track to this song was an alternate version of the backing track to “Dancing In The Street,” with the crucial difference of a heavily boosted drum track that sends the record into the dance floor stratosphere.

The song climbed to #11 on the R&B charts, but only placed at #34 on the Hot 100 singles chart. However, don’t let the somewhat anemic chart stats fool you; this song is every bit as potent as their biggest hits with its larger than life drum sound, tinny AM radio horn charts, and of course the sultry vocal talents of Martha Reeves. The song was a tribute to bikers and was inspired by The Shangri-Las’ “Leader Of The Pack” and The Crystals’ “He’s A Rebel.”

Personnel on the track included Martha Reeves on lead vocals, Rosalind Ashford, Betty Kelly, William “Mickey” Stevenson and Ivy Joe Hunter on background vocals, with instrumentation by various members of Motown’s session group The Funk Brothers, including Benny Benjamin on drums, James Jamerson on bass, Jack Ashford and Ivy Jo Hunter on percussion and Robert White and Eddie Willis on guitar.

The song was included on The Vandellas’ 1965 Dance Party album, as was the flip of today’s jukebox classic “Dancing Slow.” The album centered on a clutch of singles that were released during the previous year including the hits “Dancing In The Street” and “Come And Get These Memories,” plus the popular album track “Motoring.”

The flip of today’s single, “Dancing Slow” was a supper club ballad that was supposed to cast Martha Reeves in a new light as a nightclub performer. Around this time, Diana Ross and The Supremes scored three consecutive chart-topping singles, so Motown did not want The Vandellas’ to compete on the charts with the label’s new superstar group (even though Martha Reeves could sing circles around Diana Ross). As a result, the group was sent to the studio during the summer of 1964 to record a selection of MOR pop ballads, Broadway tunes and standards for a supper club album that never saw the light of day. Ultimately, The Supremes went on to become Motown’s biggest recording act, pushing Martha and the Vandellas to the side and ultimately off the label.

Edited: February 11th, 2014

Song Of The Day by Eric Berman – The Jukebox Series #23 – Martha Reeves And The Vandellas: “Jimmy Mack” b/w “I’m Ready For Love” – Motown Yesteryear Series 45 RPM Single Y 455F (E3/F3)

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Song Of The Day by Eric Berman – The Jukebox Series #23 – Martha Reeves And The Vandellas: “Jimmy Mack” b/w “I’m Ready For Love” – Motown Yesteryear Series 45 RPM Single Y 455F (E3/F3)

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.

I first discovered today’s jukebox classic not in its original guise by Martha Reeves and the Vandellas’, but from a cover performed by Laura Nyro and LaBelle on their classic 1971 album called Gonna Take A Miracle. When I first heard Nyro’s version, I didn’t make the connection between the song and all of the other great Vandellas hits I already knew from the radio. It wasn’t until my older sister picked up a copy of Martha and the Vandellas’ Greatest Hits album in 1972 that I finally came to fully appreciate the magic of, in my estimation, Motown’s finest girl group.

Martha and the Vandellas was one of the most successful girl groups to come out of Motown. Unlike The Supremes, the Vandellas’ sound was far grittier and more danceable than the sugary pop that catapulted The Supremes to fame. Their list of classic hits includes “(Love Is Like a) Heat Wave,” “Nowhere to Run,” “Come And Get These Memories,” “Quicksand,” “Live Wire,” “Wild One,” “My Baby Loves Me,”  “You’ve Been In Love Too Long,” and their signature single “Dancing in the Street.”

The song was written and produced by the team of Brian Holland, Lamont Dozier and Eddie Holland and it was the group’s last American top-ten hit reaching #10 on the pop charts in 1967, and #1 R&B. It was also from the last batch of Martha and the Vandellas recordings featuring input from Holland-Dozier-Holland before they left the Motown fold. Not coincidentally, their departure from Motown aligned with the waning of The Vandellas’ popularity.

The impetus for the song came out of an industry awards dinner that Lamont Dozier attended. At the awards, Ronnie Mack won a posthumous award for composing the song “He’s So Fine.” His mother came up to accept the award on his behalf and Dozier decided he’d write the song in tribute to Ronnie Mack.

Lamont Dozier: “‘Jimmy Mack’ was about a kid who had written a song that was quite popular. When they called out his name there was something, along with the way his mother picked up the award, that kind of moved me and the name stuck with me. So when a melody came about that name seemed to spring up and fit well with the music we were writing at the time.” (NME 1984 via Songfacts)

Martha and the Vandellas originally recorded the song in 1964 as a typical teen anthem about lost love, but Motown’s quality control team rejected the recording leaving it unreleased in the Motown vaults. Three years later, Berry Gordy became aware of the recording and hearing a surefire hit made sure the song was released as a single. With the passage of time, the record took on a different meaning, especially to the many African American troops who were stationed overseas in Viet Nam.

The song was included in The Vandellas’ ballad-heavy 1967 album Watchout!, however the single version of this song opens with a drum intro that is not featured on the album cut. Personnel on the track included Martha Reeves on lead vocals, Rosalind Ashford and Annette Beard on background vocals, The Andantes: Marlene Barrow, Jackie Hicks and Louvain Demps on additional background vocals and instrumentation by various members of Motown’s session group The Funk Brothers, including Richard “Pistol” Allen on drums, Jack Ashford on vibes, Bob Babbitt on bass, Benny Benjamin on drums, Eddie “Bongo” Brown on percussion, Johnny Griffith on keyboards, Joe Hunter on keyboards, James Jamerson on bass, Uriel Jones on drums, Joe Messina on guitar, Earl Van Dyke on keyboards, Marvin Tarplin on guitar, Robert White on guitar and  Eddie Willis.

The song was also covered by the likes of Karen Carpenter, Phil Collins, Sheena Easton (who scored a #65 chart hit with it in1986) and Bonnie Pointer. It was also cut by The Temptations for their 1967 album In A Mellow Mood.

The flip of today’s double A-sided single climbed up to the #9 position on the pop charts and rose to #2 on the R&B charts in 1966. The song was also written by Holland-Dozier-Holland and is a dead ringer for The Supremes hit “You Can’t Hurry Love” which they also wrote.

The track was also on The Vandellas’ Watchout! album and featured pretty much the same musicians as “Jimmy Mack,” except Betty Kelly sings background vocals instead of Annette Beard. The group also cut a Spanish version of the song under the title “Yo Necesito De Tu Amor.”

Edited: November 6th, 2013

Song Of The Day – 6/13/11

Song Of The Day – “There He Is (At My Door)” by The Vells

The Vells featured a secretary from Motown who was asked to fill in at a session for an absent Mary Wells. That gave Martha Reeves her big break that led to singing background on Marvin Gaye’s “Pride And Joy” and eventually to this early recording from 1962. The following year, the newly-named Martha & The Vandellas scored with “(Love Is Like A) Heat Wave.”

Edited: June 13th, 2011

Song Of The Day – 11/3/10

Song Of The Day – “Nowhere To Run” by Martha & The Vandellas

After yesterday’s debacle they call an election, this song has taken on new meaning! Martha Reeves was a secretary at Motown Records when one day Mary Wells failed to show up for a recording session. Reeves was asked to fill in signaling the beginning of a singing career that led to such indelible hits as “Dancing In The Streets,” “Heat Wave,” Come And Get These Memories,” “Jimmy Mack,” “Quicksand,” plus this song seen here on a TV performance from “Shindig” in 1965. Reeves could also be heard singing background vocals on many a Motown classic including Marvin Gaye’s “Stubborn Kind Of Fellow.” On this Holland-Dozier-Holland track, the Vandellas consist of Rosalind Ashford, Gloria Williams and Betty Kelly. “I know you’re no good for me…but free of you I’ll never be…”

Listen: “Nowhere To Run” by Martha & The Vandellas

Edited: November 3rd, 2010